Cindy Sherman is an American photographer and film director, best known for her conceptual portraits.
Sherman’s “Untitled Film Stills” (1977-80) is a series of 69 black and white photographs of the artist herself enacting various generic female film characters from 1950s, and 60s Hollywood, film nior and European art-house films. Her aim is not to recreate the scenes but to re-examine women’s stereotypical roles in history and contemporary society.
All images Courtesy of the artist and Metro Pictures. © Cindy Sherman
La Muralla Roja, Spanish for ‘The Red Wall,’ is a post modernist housing project located in the area of Calpe in the Alicante region in Spain. Designed by architect Ricardo Bofill, the building appears as if it is emerging from the rocky cliffs it sits on.
The structure is heavily influenced by the North African tradition of the casbah, a fort with high walls and few windows. The striking colours that cover the outer and inner facades are selected to either contrast with nature or complement its purity.
The 50 apartments of the project a are linked by a series of uniform stairs, landings and bridges, giving the impression of interlocking cubes. The variations of spaces connect create a labyrinthine complex of shifting and ambiguous scale, designed to a precise geometric plan based on the typology of the Greek cross.
All images courtesy of Ricardo Bofill
Sandy Skoglund is an American photographer and installation artist. She creates surrealist images by building elaborate sets, furnishing them with carefully selected colored furniture and other objects, a process of which takes her months to complete. Finally, she photographs the set, complete with actors. The works are characterized by an overwhelming amount of one object and either bright, contrasting colors or a monochromatic color scheme.
REVENGE OF THE GOLDFISH 1981 Copyright Sandy Skoglund
All images copyright of the artist: http://www.sandyskoglund.com/
How like a winter hath my absence been
From thee, the pleasure of the fleeting year!
What freezings have I felt, what dark days seen!
What old December’s bareness every where!
And yet this time removed was summer’s time,
The teeming autumn, big with rich increase,
Bearing the wanton burden of the prime,
Like widow’d wombs after their lords’ decease:
Yet this abundant issue seem’d to me
But hope of orphans and unfather’d fruit;
For summer and his pleasures wait on thee,
And, thou away, the very birds are mute;
Or, if they sing, ’tis with so dull a cheer
That leaves look pale, dreading the winter’s near.
by William Shakespeare (1609)
William Eggleston is an American photographer and one of the most influential photographers of the latter half of the 20th century, widely credited with pioneering fine art color photography in his iconic depictions of the American South. Eggleston’s initial style was influenced by Henri Cartier-Bresson, Robert Frank, and Walker Evans.
Photographs: © Eggleston Artistic Trust
To see more Eggleston’s work, visit: http://www.egglestontrust.com/