Eduardo Chillida was a Basque artist known for his monumental abstract iron and steel sculptures which are to be found in public places all over the world. . Chillida’s combination of sculptural form and metaphysical significance is integrated with architectural and environmental space to produce distinct urban spaces.
Spanning millions of years, Hollow is a miniature forest of all the world’s forests, telling the history of the planet through the immensity of tree specimens in microcosm. This immersive piece of architecture brings together over 10,000 unique tree species,including petrified wood from the earliest forests that emerged over 390 million years ago; a sample from the oldest tree in the world, and some from the youngest and near-extinct species.
Forming the inside in all directions, the untreated wooden pieces are organised in an organic yet precise manner specific to the origins, types and characteristics of the wood. Shifted and staggered to each other, thousands of blocks conjoin to form one immense cosmos of wood producing textures, apertures and stalactites. Inside Hollow, light filters through apertures in the ceiling, suggesting sunlight radiating through a forest.
German photographer Michael Wolfcaptured in his series”Architecture of Density“, images that acutely acknowledge the landscape’s overwhelming concentration of soaring buildings and skyscrapers in Hong Kong. Having lived there for several years, Wolf began to document Hong Kong’s extreme development and complex urban dynamics, and how these factors play into the relationships between public and private space, anonymity and individuality, in one of the most densely populated cities on the planet.
A new museum dedicated to the work and life of the legendary French couturier Yves Saint Laurent has opened in Marrakech. Designed by Studio KO, the 4,000-square-metre building sits a short distance away from Jardin Majorelle, the home acquired by Sanit Laurent and Pierre Bergé in 1980.
The Hitchcock Estate in Millbrook, New York is a historic mansion and surrounding grounds. The 64-room Bavarian baroque mansion was built in the early 20th century by German-born gas magnate Charles F. Dieterich and eventually sold to the Hitchcock family in 1963. The siblings Billy Hitchcock and Peggy Hitchcock who have both tried LSD would open the doors of their estate to Timothy Leary and the Psychedelic Movement.
In September of 1963, Timothy Leary, Richard Alpert and Ralph Metzner (their colleague at Harvard) moved into the Hitchcock Estate, along with thirty or so of their followers. There Leary established what he called the League for Spiritual Discovery.
During Leary’s residence at the mansion (1963–1968) the culture and ambiance there evolved from scholarly research into psychedelics to a more party-oriented atmosphere, exacerbated by an increasing stream of visitors and guests included R. D. Laing, Allen Ginsberg and Charles Mingus. Ken Kesey and the Merry Pranksters visited in their bus Further.
The mansion was the target of drug raids. In April 1966, a squad of police investigators headed by G. Gordon Lilly, later to achieve notoriety and a criminal conviction in the Watergate affair, arrested Leary and three other people at mansion for possession of marijuana. Leary and his group were evicted in 1968; Leary moved to California.
The Heydar Aliyev Center is a 57,500 m² building complex in Baku, Azerbaijan designed by Iraqi-British architect Zaha Hadid and noted for its distinctive architecture and flowing, curved style that eschews sharp angles.
La Muralla Roja, Spanish for ‘The Red Wall,’ is a post modernist housing project located in the area of Calpe in the Alicante region in Spain. Designed by architect Ricardo Bofill, the building appears as if it is emerging from the rocky cliffs it sits on.
The structure is heavily influenced by the North African tradition of the casbah, a fort with high walls and few windows. The striking colours that cover the outer and inner facades are selected to either contrast with nature or complement its purity.
The 50 apartments of the project a are linked by a series of uniform stairs, landings and bridges, giving the impression of interlocking cubes. The variations of spaces connect create a labyrinthine complex of shifting and ambiguous scale, designed to a precise geometric plan based on the typology of the Greek cross.