How like a winter hath my absence been
From thee, the pleasure of the fleeting year!
What freezings have I felt, what dark days seen!
What old December’s bareness every where!
And yet this time removed was summer’s time,
The teeming autumn, big with rich increase,
Bearing the wanton burden of the prime,
Like widow’d wombs after their lords’ decease:
Yet this abundant issue seem’d to me
But hope of orphans and unfather’d fruit;
For summer and his pleasures wait on thee,
And, thou away, the very birds are mute;
Or, if they sing, ’tis with so dull a cheer
That leaves look pale, dreading the winter’s near.
by William Shakespeare (1609)
William Eggleston is an American photographer and one of the most influential photographers of the latter half of the 20th century, widely credited with pioneering fine art color photography in his iconic depictions of the American South. Eggleston’s initial style was influenced by Henri Cartier-Bresson, Robert Frank, and Walker Evans.
Photographs: © Eggleston Artistic Trust
To see more Eggleston’s work, visit: http://www.egglestontrust.com/
The Mirrorcube, designed by Tham & Videgard Architects is a room in the Tree Hotel in Harads, Sweden. Located 60 kilometres south of the Arctic circle. This genuine hide-out is made of light-weight aluminum which is hung around the base of a single tree. Measuring 4x4x4 metres, the cube clad in mirrored glass. The exterior reflects the surroundings and the sky, creating a camouflaged refuge. The interior is all made of plywood and the windows give a 360 degree view of the surroundings.
Some thirty inches from my nose
The frontier of my Person goes,
And all the untilled air between
Is private pagus or demesne.
Stranger, unless with bedroom eyes
I beckon you to fraternize,
Beware of rudely crossing it:
I have no gun, but I can spit.
-Wystan Hugh Auden